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Colour & Finish

Colour & Finish, Specified To A Code

A colour is not a mood, it is a reference. This is how the reference gets agreed, what each finish actually is, and which one to pick when two of them look the same on a screen.

Not sure which of these applies? Start from the whole range

The Decision

Two Decisions, Not One

Colour and finish are chosen separately and they fail separately. The colour is the pigment in the coating; the finish is the surface treatment that decides how that colour behaves under a thumb, under a sleeve and under a dishwasher. A colour matched badly and a finish chosen badly are different problems with different fixes, so they are specified apart.
A fan deck of coated and uncoated colour reference swatches, each tab printed with its code

How A Match Is Agreed

Four Steps From A Code To A Locked Sample

Step 1

The reference is confirmed in writing

A Pantone reference on its own is not enough — the same code reads differently on a coated body than it does on paper. The reference is confirmed against the model and the finish you have chosen, because a code means nothing until it is attached to both.

Step 2

Mix and spray

The colour is mixed and sprayed onto sample bodies of the actual item. This is where the code meets the process, and it is the step that decides whether the result is achievable.

Step 3

Checked against the reference, in daylight

The sprayed panel is read against the reference rather than judged by eye alone. What comes back from this step is a decision, not a promise: either the match is achievable on this model and this finish, or it is not, and we say so before tooling.

Step 4

Locked on sample approval

The match is locked when you sign the sample, not before. Until then it is a proposal. This is the same rule the sample process follows everywhere else on the site: the approved sample is the specification, and production is made against it.

Where a match needs a new spray setup or a new print screen, that setup is quoted as a separate line, because the same work is then reused in the production run rather than repeated. It is stated in the quotation before you commit.

Finishes Compared

Six Finishes, And What Each One Is Actually Choosing

These six are photographed on the same three bodies, so what you can see changing is the finish and not the shape. Three of them read as black at a glance, and that is honest: what separates a soft-touch rubber paint from a shimmer powder coat from a plain spray coat is how each one takes light. A matte coat scatters it, a shimmer coat throws it back in flakes, and an even spray coat carries one continuous sheen. That difference is also the one a hand finds, so the photograph is the easy half of the comparison and the sentence under it is the half that decides.
Soft-Touch Rubber Paint

Soft-Touch Rubber Paint

A fine-grained matte coat that feels warm rather than cold in the hand, and does not hold fingerprints. The usual choice for a premium range.

Feel in the hand

Shimmer Powder Coat

Shimmer Powder Coat

Metallic flake suspended in the powder coat, so the surface catches light without becoming a mirror.

How it catches light

Spray Coating

Spray Coating

An even satin coat matched to any Pantone reference — the most forgiving finish to hold consistent across a long run.

Holding a colour steady across a long run

Water Transfer Print

Water Transfer Print

Full-coverage artwork wrapped onto the body: marble, camo, woodgrain or a photograph. The route to a pattern the shop next door is not selling.

Carrying a pattern or a photograph

Electroplating

Electroplating

Vacuum metallising for iridescent and mirrored effects. Reads as the most expensive finish in a line-up, and costs like it.

A mirrored or iridescent effect

Mirror Polish

Mirror Polish

The stainless itself, polished, with no coating at all. Nothing to chip and nothing to peel.

Nothing added to the steel at all

No price column, and no wear rating, on purpose. A wear figure is issued per test method against a per-item sample, not per finish name, so a number printed here would be a guess about a test we have not run. Send the item and the use, and the figure comes back with the sample.

Colour Effects

Ten Colour Routes, And What Each Is For

Three-Colour Gradient

Full-length blend

Three-Colour Gradient

Full-length blend

A range that reads as one object

Solid Colour

Pantone matched

Solid Colour

Pantone matched

Brand colour accuracy above all

Two-Colour Gradient

Soft fade

Two-Colour Gradient

Soft fade

Depth without looking printed

Spiral Gradient

Twisted blend

Spiral Gradient

Twisted blend

A pattern that survives being handled

Matte Metallic

Satin metal flake

Matte Metallic

Satin metal flake

Metal that does not read as chrome

Speckled Frost

Flecked over a fade

Speckled Frost

Flecked over a fade

Breaking up a large flat surface

Metallic Paint

Warm metallic

Metallic Paint

Warm metallic

Warmth against a cool body

Spray Paint

Deep gloss

Spray Paint

Deep gloss

The deepest colour the process will give

PVD Gradient

Plated transition

PVD Gradient

Plated transition

A plated transition between two tones

360° Laser Marking

All-over etched pattern

360° Laser Marking

All-over etched pattern

An all-over texture, not a logo

The minimum is counted per colour, and it is the colour that starts a new count — not the finish, and not the effect. Two bodies in the same colour with different finishes are one count; one body in a gradient and one in a solid are two. That is the published minimum rule, and it is why a launch that is really one colour is cheaper to run than it looks.

The Rule

Which Finish Goes With Which Colour

If the colour is…The finish that serves itBecause
A brand colour that has to matchSpray CoatingIt is the most forgiving finish to hold consistent across a long run, which is exactly what a brand colour needs.
A gradient, or anything with a fade in itSpray Coating, or a plated transition for a metallic oneA gradient is a controlled fade; a finish that hides surface variation gives it somewhere to sit.
A pattern, a photograph or a textureWater Transfer PrintFull-coverage artwork wrapped onto the body. A flat print cannot reach a curve or a taper.
A mirror or an iridescent shiftElectroplatingVacuum metallising is what produces the effect; no pigment route gives it.
A colour that should feel expensive in the handSoft-Touch Rubber PaintA fine-grained matte coat that feels warm rather than cold, and does not hold fingerprints.
Nothing at all beyond the steelMirror PolishThe stainless polished, with no coating. Nothing to chip and nothing to peel.

This is a pairing rule, not a specification. Send the colour reference and the item, and the finish is recommended against the model rather than against this table.

On The Floor

The bench a Pantone match is checked at.

A measurement bench where a coated sample is read against its Pantone reference
01The bench a Pantone match is decided at.
Colour being mixed and prepared on the coating line
02Colour mixed to the reference, not to a swatch book.
An inspection table of finished bodies before packing
03Read back before it is packed.

Questions

Colour & Finish Questions

The four questions that come up before a colour is agreed.
Can you match my brand Pantone exactly?

On a coated steel body the match is agreed by sprayed sample and read against the reference in daylight, not judged from a screen. Some references are achievable on some models and not on others, and we tell you which before tooling rather than after.

Does the colour affect the minimum order quantity?

Yes, and it is the only thing that does. The minimum is counted per colour per model: changing the body colour, the lid colour or the item number starts a new count, while changing the finish does not. A mixed set can be assembled from several colours or models as long as each one reaches its own minimum.

Which finishes are food-safe?

Everything we put in contact with liquid is released against the models we actually make, and the test reports are issued against the actual product and model number rather than a similar one. The food-contact standards the reports are written to are listed on the certifications page, and we map which ones apply to the market you are shipping into.

How long does a colour sample take?

Standard sampling is 3 to 7 days once the specification is confirmed. A match that needs a new spray setup or a new screen is quoted as separate setup work, because that work is reused in production rather than repeated.

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